Sundressed
Sundressed – indie / emo / pop punk from Tempe, AZhttps://sundressed.bandcamp.com/Thanks! I Hate It – Thanks! I Hate It is a Mid-Westcoast Emo band based in Hollister, CA . Inspired by bands like Real Friends, Hot Mulligan and The Wonder Years, T!IHI combines the feeling of Midwest Emo with the high energy of pop-punk. Their sophomore album Scatterbrain came out in fall 2025 and has been heralded as a leap forward for the band. Available wherever you get your music. https://thanksihateitca.bandcamp.com/Light Speed Highway – indie / pop punk from Omaha, NEhttps://lightspeedhighway.bandcamp.com/After Arizona – pop punk from Lincoln, NEhttps://www.instagram.com/afterarizona/
Wrath: Vol. 2
THIS PERFORMANCE IS AGES 18+
Oxygen Destroyer
Oxygen Destroyer – a Seattle, Washington-based “Kaiju metal” band formed in 2014 that plays a high-speed, aggressive blend of thrash, death, and black metal. Exclusively themed around Godzilla and monster movies, the band is known for chaotic, intense music that mirrors the destruction of Kaiju films. https://oxygen-destroyer.bandcamp.com/ Drawn and Quartered – Classic death metal from Seattle since 1992! Dark atmospheres, melodic solos, incredible quality control, and brutal riffs across the decades have made Drawn and Quartered a legend in the underground death metal scene, with good reason! https://hailinfernaldarkness.bandcamp.com/
Cultus Black
Cultus Black is an aggressive, hard-hitting, metal act that bridges the gap between bands such as Slipknot and Bring Me The Horizon. With their eye-catching presentation, intense music and emotionally charged vocal hooks, this group can not be easily ignored. In 2023 they were part of a sold out month long tour with Static-X, Fear Factory, Dope and Mushroomhead which coincided with the release of their debut self-titled album.
Ovtlier
Honing in on a modern sound while consistently setting themselves apart from the mainstream, Ovtlier (pronounced “Outlier”) has prided themselves in creating exemplary rock and metal music backed by a rapidly growing fan-base. Led by enigmatic frontman Joey Arena, Ovtlier has earned more than 3 million views of fan-curated content on YouTube and over 3 million streams on Spotify, in addition to capturing the hearts of over 60K followers online. All of this combined with the band’s ability to sell out shows and engage their audience, Ovtlier has achieved features in major media outlets such as Revolver, Loudwire, Alternative Press, Decibel and ABC News. Continually hitting the Billboard charts, Ovtlier has been able to spread their sound nationwide through constant spins on FM radio and months of regular rotation on SiriusXM Octane- launching them into the forefront of their genre. Ovtlier capitalizes on their songwriting formula to develop a hybrid-like sound, drawing influences from a myriad of rock and metal sub-genre’s to help attract a wide variety of listeners. The band unveils their freedom to create musically through their latest releases; the fiery, high speed “Bulletproof” resides on one end of the Ovtlier spectrum, whereas “All I Need” takes the audience in the opposite, more moderately paced and ballad-esque direction. Regardless, what remains apparent through the band’s entire discography is Arena’s meaningful lyrics, musical prowess and his drive to bring Ovtlier straight to the top.
Indian Caves
Dave’s Cosmic Birthday Bash
Beast Eagle
Benn Sieff and a Murder of Crows
Rickshaw Billie’s Burger Patrol
“Our catalog has never been short on big dumb riffs, but the idea on this record was to really turn the screw,” says RBBP bassist Aaron Metzdorf. On Big Dumb Riffs, that screw is cranked incredibly tight. “We just wanted ‘the part’: The opening of Pantera’s ‘Primal Concrete Sledge’, the breakdown in Primus’ ‘Pudding Time’ — the shit that makes you move and lose your mind. Just that part the whole time.” Across 11 concise, taut songs — most clocking in around 2 minutes or less — Rickshaw Billie’s Burger Patrol demonstrates their skillful ability to blend the merciless low end of Leo Lydon’s 8-string guitar, Aaron Metzdorf’s masterful chordwork on the bass, and Sean St.Germain’s driving drumming. Hot on the heels of their breakout 5th studio release Doom Wop (2023), Rickshaw Billie’s Burger Patrol returns with Big Dumb Riffs: A whole new variant of the fuzzed out, overdriven, melodic, groovy music they have been making since 2016. While Big Dumb Riffs is decidedly more aggressive and rhythmic, it still retains the overtly melodic feel of Doom Wop. But Leo Lydon’s vocals are considerably more angry and negative (song titles like “1-800-EAT-SHIT” and “Body Bag” should be a clue.) “The whole writing process was, ‘what if we just played two notes the whole song’,” Metzdorf says. “‘What if we tuned down to almost unusable string tension?’, ‘what if we write a record that will make everyone say ‘wow that is dumb’? Leo and I really move around on stage a lot. Being a dingus is crucial to the groove. All these riffs were designed to allow us to act bigger and dumber on stage.”
