Kash’d Out

Florida based Reggae/Rock band Kash’d Out have been hustlin’ hard since the beginning. After founders Greg Shields (lead vocals) and Jackson Hauserman (guitar) met in a studio session, it wasn’t long before Kash’d Out’s clever lyrics and tasteful guitar riffs were complimented by the unique bass lines of Joey Brohawn, and rhythmic precision of drummer Marshall Hearne. Kash’d Out’s most recent album, “Butter” displays their diversity and mission into their own music path. The band has remained steadfast to originality, yet continues to evolve, revealing different sides to their sound. Kash’d Out is excited to continue touring the country with a high-energy show and a genuine love for sharing the music they’ve made with anyone and everyone!

Dave Hill

Dave Hill is a comedian, writer, actor, and musician originally from Cleveland but now living in New York City, which is great. He has appeared on Unbreakable Kimmy Schmidt, Girls5eva, Joe Pera Talks with You, Inside Amy Schumer, @midnight, Full Frontal with Samantha Bee, The Tick, The Jim Gaffigan Show, and the new U.S. version of Would I Lie To You among other programs. And he plays a Devo-obsessed weed dealer in the new film Drunk Bus starring Ozark’s Charlie Tahan and Will Forte. Dave has also starred in his own TV series, The King of Miami, on the MOJO Network, which was cancelled even though Dave really liked it.

The Arcadian Wild

The Arcadian Wild is a four-piece indie folk/pop group from Nashville, TN. Ledby songwriters Isaac Horn and Lincoln Mick and Bailey Warren on fiddle, The Arcadian Wild confidently inhabits and explores an intersection of genre, blending the traditional with the contemporary. Combining elements of progressive bluegrass, folk, and formal vocal music, The Arcadian Wild offer up songs of invitation; calls to come and see, to find refuge and rest, to journey and wonder, to laugh and cry, to share joy and community and sing along. The band’s 2023 album Welcome marks the start of a captivating new chapter for the genre-bending trio, who returned to the studio with renewed purpose and insight after devoting the last few years to a series of critically acclaimed singles and EPs. Like much of the band’s catalog, the album blurs the lines between chamber folk and progressive bluegrass, drawing on everything from country and classical to pop and choral music with lush harmonies and dazzling fretwork, but this time around there’s a rawness to the writing, an embrace of candor and simplicity that cuts straight to the heart of things like never before. The result is perhaps the most arresting collection yet from a band known for its ability to stop listeners dead in their tracks, an exquisitely beautiful celebration of community, connection, and the power of belonging that feels tailor-made for these challenging times.

Neva Dinova

Neva Dinova’s reinvigorating full-length Canary features a new lineup, fresh perspective and a sound more urgent than anything they’ve created in the past. Recast after 15 years of inactivity and newly energized by a tour offer from longtime Omaha friends Cursive, songwriter/guitarist/singer Jake Bellows started sending demos to drummer Roger L. Lewis and just-recruited bassist Megan Siebe. They began woodshedding new songs, and the latest incarnation of Neva Dinova was born. After an East Coast run, the band returned to Omaha to record Canary at Make Believe Studios. “I’m trying to cover a lot more space in the band now because there’s only one guitar, so I write a little differently in order to cover that space.” (An understatement considering the previous lineups of the band featured three guitarists.) The result is an album that is more focused while still allowing for the occasional Neil Young-inspired guitar solo or unexpected sonic flourish. The songs on Canary were honed on the road allowing for a largely live recording session that captures the visceral energy of the band.  There’s a beauty in the imperfections: The subtle buzzing of the amp, the finger noise on the strings and Bellows’s voice rising above all of it in a way that’s distinctly Neva Dinova. Canary is a raw and unfiltered glimpse of Bellows’s psyche and an electrifying batch of songs — unpretentious, empathetic, weathered, and wizened. It also marks a second act for one of indie rock’s most underrated acts.

The First 48 Blunts

with Bobo Thuh Breadboy, Forest, The High Hats, Race Coakley, Thuggy Yuxk and Dj Surreal the MC with Host Strawstone

Friko

Friko, a trio that’s cemented itself as a stalwart in the Chicago music scene, is frontman Niko Kapetan, and drummer Bailey Minzenberger. Their most recent release, “Crimson To Chrome,” is an anthemic offering, Kapetan’s vocals incendiary. It received glowing praise and attention from Pitchfork, Brooklyn Vegan, and Consequence, who wrote “Friko toggle between loud and quiet, thoughtful and self-deprecating, while never expressing anything less than the unbridled joy of noise.”  FLOOD wrote the Chicago-based power-pop group is “certain to stand out among the hundreds of acts gracing the various SXSW stages this year.” And that they did. The band took SXSW 2023 by storm, playing packed showcases over several days that made their Austin-debut a must-see occasion. Bolstered by the unwavering support from Chicago’s music scene, the buzz around new music, and the pure excitement witnessed at SXSW, the interest from labels is voracious and ever-increasing.  Friko’s music is complex and dynamic, flickering between explosive rock, chamber pop, and serene sonics. It becomes even more pronounced in their live performances, where a crowd frenzied by wailing guitars finds itself minutes later collectively holding its breath, enamored by hypnotic strings and Kapetan’s emotive vocals. As the band plays out sweeping melodies, held up by thrashing guitar and punchy beats, it feels as if Kapetan sings to you. Crooning about stories you know, memories you had but have somehow forgotten. 

MIKE

MIKE is a quintessential old soul. The 24-year-old artist’s wisdom is evident in both his calm delivery and measured questioning, even if he doesn’t always understand the depth of his words until they’re written. “All of these random ideas come to my head, but always end up making sense after it’s done,” the NY-based rapper-producer says about his method. Known for introspective, subtly profound rhymes that explore grief, family, and identity, and melt over muffled, soul-seasoned samples, on his expansive new record Burning Desire MIKE reaches new heights far above the sonic foundation he laid with his previous project.

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