WRATH
THIS PERFORMANCE IS AGES 18+ A Night of Rock Bands & Dubstep DJs METEORIK and THE SILENT FLAME WITHIN present: WRATH an explosive night where the energy of live rock collides with the raw power of dubstep. This is more than just a concert. It’s a full-scale sonic storm designed to shake the ground beneath your feet and ignite the crowd into pure chaos. The Rock Feel the surge of adrenaline as hard-hitting rock bands take the stage with shredding guitar riffs, thunderous drums, and commanding vocals. They’ll set the tone with pure, unfiltered energy that lights the fire for the night ahead. The Bass When the guitars fade, the dubstep DJs step in to push the energy into overdrive. Expect filthy bass drops, spine-crushing wubs, and relentless beats that turn the floor into a war zone of sound and movement. The Collision What happens when these two worlds collide? WRATH. One night, one stage, two unstoppable forces. This isn’t about choosing between rock or bass it’s about experiencing both at maximum intensity, back-to-back, all night long.
Dean Johnson
With I Hope We Can Still Be Friends, his debut for Saddle Creek, Dean Johnson makes a pact with the listener: He will sing you his truth in the most heartfelt and charming way possible, if you promise to keep an open mind. The title partly stems from the playful way the Seattle-based singer, songwriter and guitarist communes with his audiences at concerts. “I hope you’re not afraid to talk to me after the show,” he’ll say, sweetly, before launching into “Death of the Party,” the album’s seventh song. Centered on the “energy vampire” archetype — the exasperating windbag we’ve all encountered at some point — its lyrics are at once intellectually biting and unmistakably hilarious. His tender voice rings out like the ghost of Roy Orbison or a misfit Everly brother. Johnson spent years tending bar at Al’s Tavern in Seattle’s Wallingford neighborhood. There, he encountered folks of all stripes; and regulars enthusiastically murmured about his budding musical greatness — There’s the best songwriter in town! Johnson was a kind of local lore, a long-held family secret, before the singer finally broke out in 2023 with his debut album, Nothing For Me Please, at age 50. I Hope We Can Still Be Friends is essentially an anthology that bridges Johnson’s earliest days as a songwriter with his present-day outlook and abilities. There are songs that have been in his setlists for years, and others that will be new to fans. Each of its 11 tracks contains jocular social commentary or lovingly rendered affairs of the heart. The album’s songs about love and relationships offer another way to interpret its title: as a parting thought to an ex. Like all of Johnson’s cable-knit writing, the title is a clever banner for the album’s dual nature, the thing that binds its tragedy and comedy masks. Johnson explains that he didn’t set out to make a concept album. It’s a coincidence that about half of the album’s songs are a bit sardonic, and the other half are more lighthearted. I Hope We Can Still Be Friends floats in a liminal plane between timely and timeless, its minimalist instrumentation elevating Johnson’s affecting voice to new heights. Recorded at Unknown Studio in Anacortes, Washington, the record was produced by Sera Cahoone — the Seattle-based singer-songwriter Johnson describes as a “soulmate sibling.” Overdubbing took place at Seattle’s Crackle & Pop! For the sessions, Johnson assembled a small band of friends including Abbey Blackwell (bass, backing vocals), multi-instrumentalist Sam Peterson and Cahoone (drums, backing vocals), who created a familial tone on the already intimate album. I Hope We Can Still Be Friends, with its sharp observations and stirring personal insights, holds space for both intense reflection and emotional release. You may laugh, or cry or both. In this sense, the album is powerful medicine — a way to both expose yourself to and inoculate yourself against the ugly, absurd, existential and heartbreaking. At its core rests a basic truth that is often difficult to remember or accept: Happiness wouldn’t exist without sadness as its counterpart. On his uncanny ability to so clearly see and then encapsulate humanity in all its messy glory, Johnson offers this core memory, drawn from his childhood on Camano Island in the Puget Sound. “I was raised on a bluff,” he says. “I’m not trying to make it sound dramatic, but I did have a sweeping view.”
The Toasters
Stigmata Martyr: A Tribute to Bauhaus
Doin’ My Rounds Tour ft. Jaden Schumacher & Emily Raff
Rare DM
Rare DM, the brainchild of singer, producer, and multi-instrumentalist Erin Hoagg. She crafts intimate, alluring tunes that seamlessly blend dark aesthetics with dance-pop sensibilities. Armed with a collection of vintage analogue synthesizers and drum machines and drawing inspiration from EBM, minimal techno, electroclash, electroclash, post-punk, and bloghouse, Rare DM transforms the mundane into the magical. Her songs are dark and deeply intimate, rendering in raw detail the search for that special connection we all crave, but rarely find. Rare DM has seamlessly transitioned from the studio to the stage, captivating audiences with electrifying performances across the globe. Her tours, spanning North America, Europe, and Mexico, have seen her share stages with esteemed acts including Molchat Doma, Mareux, Model / Actriz, and Drab Majesty. Festival highlights include Coldwaves, SXSW, Verboden, Flesh & Steel, and Substance LA.
Kash’d Out
Florida-based reggae/rock band Kash’d Out has been hustling hard since day one. Formed when Greg Shields (lead vocals) and Jackson Hauserman (guitar) first met during a studio session, the band quickly found its sound. With the addition of Joey Brohawn on bass, Marshall Hearne on drums, and most recently A-Mac on keys, Kash’d Out’s clever lyrics, tasteful guitar riffs, and infectious grooves came to life. Their breakout caught the attention of Hawaiian legends Pepper, who signed them to LAW Records and released their debut full-length album, The Hookup. Before the album even dropped, the band hit the road with Pepper and Less Than Jake, launching them onto the Billboard Reggae Charts and into households across the country. Since then, Kash’d Out has become a relentless touring force, supporting genre staples like Collie Buddz, The Expendables, and Iration, while also headlining multiple national tours. Their most recent album, Butter (released on LAW Records), showcased the band’s musical growth and experimentation, further solidifying their reputation for crafting songs that blend catchy melodies with honest, introspective lyrics. Now signed to Ineffable Records, the band continues to evolve. Their latest single, “Mushroom Tea” featuring Little Stranger, dives into a playful, psychedelic groove—bringing together bounce, wit, and a touch of nostalgic stoner charm. It marks the beginning of an exciting new chapter as they gear up for their next full-length album, due out in 2026. With a packed touring schedule and a high-energy live show, Kash’d Out continues to bring their music to fans across the country—spreading good vibes and authentic connection at every stop. Catch them on tour at www.kashdout.com/tour-dates.
Ricky Chilton
Robo Dojo
Off The Hook Pirate Dance Party
We’re teaming up with Nice Enough Entertainment to bring you Off the Hook: A Pirate Dance Party! Nice Enough has been a driving force for our local hip hop and rap scenes, and when they asked us to collaborate on an event together, there was no question about it. There is a lot of overlap between Electronic Music & Hip Hop. Both have influenced each other throughout their respective histories. 2pac & Dre were electro artists before their rise to the charts in the hip hop world. Ice T has a techno label with Afrika Bambaataa, and electro-funk and breaks were integral to him in his early years as a producer. Then on the flipside, there’s artists like Mr. Carmack, Boombox Cartel, Troyboi where hip-hop is the primary influence on their music, and more recently, artists like T-pain have even crossed into exploring dubstep. We had the Trap wave, which at its core, was the perfect blend of hip-hop & EDM. Collectives like the All:lo collective blend hip-hop, RnB, and trip hop. Grime is another prevalent genre that seamlessly blends both worlds. Then we have other styles like Juke, Footwork, Jersey Club, Baltimore Club, Breakbeats, all rooted in hip-hop. Dance music wouldn’t be what it is today without hip-hop and black culture, and we aim to honor these roots. So, we specifically curated our lineup to showcase both worlds. We have 2 hip-hop & RnB centric DJs, and 2 EDM DJs who all have a deep respect for the history of this symbiotic spheres of music. We present our lineup:DJ DeeBvssbrattRiz the DJGhoulish Benjamin Fast will also be performing his stellar spoken word to start the night off! So join us on the seas of 808s and saw waves, put on your best pirate garb (should probably leave your parrots at home for this one though), eat, drink, be merry at a Reverb Lounge on Nov 7th. Decent Dogs will also be slinging hot dogs out front of Reverb for the evening, and they do it best!
