Glitterfox
Bri Bagwell
Texas Female Artist of the Decade, Bri Bagwell, is a force to be reckoned with from her rousingly fun live performances to trailblazing recordings garnering her twelve #1 singles on Texas Country Radio and counting. With multiple Female Vocalist of the Year awards, Bri is making waves with her music drawing national attention. People Magazine raves, “Bagwell increasingly finds her name being mentioned amongst country music truth-tellers such as Ashley McBryde and Morgan Wade.” Her latest album, Corazón y Cabeza (Heart and Head), has already spawned three #1 singles, “Trenches,” “Free Man,” and “Hello Highway,” the latter inspiring her 2023 summer tour across 10 states and Mexico. Performing over 120 shows a year, Bri has shared the stage with a long list of esteemed artists, including Willie Nelson, Miranda Lambert, Robert Earl Keen, Kacey Musgraves, and Dwight Yoakam. Catch Bri Bagwell live on tour or listen to her latest podcast, ONLY VANS, at www.bribagwell.com.
Hayden Pedigo
Hayden Pedigo: man, myth, master of disguise; un-picker, finger-picker, absurdist, perfectionist. An innovator of the instrumental genre, challenger of the stereotypical, son of a truck-stop preacher. His new album, ‘I’ll Be Waving As You Drive Away’ is, Hayden reflects, not a straightforward solo guitar record, but in a sense “a micro-dose psychedelic album.” Unafraid to push the parameters of American primitive, the walls of the album’s world are fuzzed-up and glimmering. Pedigo’s trademark, highly skilled guitar compositions, more intricate than ever, are augmented by influences he’s never been able to achieve on previous records, drawing strongly from the uncanny psychedelia of larger-than-life culture in the American South, so often bigger, stranger, more unnerving than fiction. Throughout ‘I’ll Be Waving As You Drive Away’, moments of genre-defying, unapologetic exuberance are carefully balanced with delicacy and intricacy.
Adam Melchor – CANCELED
Adam Melchor’s journey thus far has been far from conventional. Long story short, this proud Jersey boy picked up a guitar and eventually fulfilled his lifelong dream of becoming a musician in Los Angeles. But in reality, he got there by singing for mobsters “well-suited insurance guys” at pizza parlors, getting an Opera degree, playing thousands of hours in various dives, churches, and restaurants (sometimes in the same day), and driving across the country to the West Coast in an old Toyota Camry (twice). Moving to Los Angeles during 2018, he had sessions with everyone from Charlie Puth to The Chainsmokers, and has also toured alongside Mt. Joy, Dodie, Rodrigo Y Gabriela, and JS Ondara. Picking up steam, his single “Real Estate” gained impressive traction leading up to the 2020 SUMMER CAMP EP. After racking up more than 40 million streams and garnering acclaim from NPR, Wonderland Magazine, Billboard, Atwood Magazine, and more, he properly made his debut earlier this year with Melchor Lullaby Hotline, Vol. 1.
Kid Congo & The Pink Monkey Birds
Legendary guitar stylist Kid Congo Powers (The Gun Club, The Cramps, Nick Cave & The Bad Seeds), along with cohorts: drummer Ron Miller (Up The Academy), and guitarist Mark Cisneros (Make-Up, Des Demonas & Hammered Hulls), embark on a Midwest USA & Canada tour in September 2025. Waking from a nap in the swamps of outer space, Kid Congo & The Pink Monkey Birds ride a geisterbahn into the hypnagogic, a place between sleep and consciousness. Look out for them in a town near you!
Clan of Xymox
Clan of Xymox is a Dutch band formed in 1981 in Nijmegen, Netherlands. The band originally started under the name Xymox and was founded by Ronny Moorings. Their music is often classified as darkwave, gothic rock, and synth-pop, and they are known for their moody, atmospheric sound and introspective lyrics. In 1983, the band released their self-titled debut album “Subsequent Pleasures” and gained attention in the emerging gothic music scene. The album featured a dark, ethereal sound that would become their signature style. The band’s name was changed to Clan of Xymox after signing with the U.K. independent label 4AD. In 1985 Clan of Xymox released their second album, “Clan of Xymox ” which included the hit song “A Day.” The album helped establish the band’s reputation within the gothic / dark wave music scene and gained them a dedicated following. Over the years, Clan of Xymox has experienced various lineup changes, with Ronny Moorings being the only constant member. The band has continued to release albums and tour regularly, maintaining a strong fan base around the world. Clan of Xymox’s music often explores themes of love, loss, and introspection, and they are known for their melancholic and atmospheric soundscapes. Their influence can be heard in the work of many contemporary darkwave and gothic bands. Throughout their long career, Clan of Xymox has remained active and continues to be an important and influential presence in the gothic/ dark wave music genre. Ronny Moorings writes, records and produces all music and lyrics for his songs. Clan Of Xymox LIVE are : Ronny Moorings : vox, guitar, melodica. Mojca Zugna : bass. Mario Usai : guitar / bass. Sean Goebel : Keys , synth drums , backing vox. Daniel Hoffmann : FX & Sequencer.
Dayglo Abortions
Dayglo Abortions – The Dayglo Abortions, a Victoria BC punk/metal band that has been abusing ear holes since 1979. The Dayglo Abortions have put out over a dozen records, including the popular Feed Us a Fetus (1986) and Here Today, Guano Tomorrow (1987). Their last record at the time of writing was 2016’s Armageddon Survival Guide. The longest-running leader, producer and writer of the band is Murray “The Cretin” Acton. Currently the lead guitarist and vocalist, Acton created The Dayglo Abortions and has been active for every year except three in the mid-90s when he created the band LUMMOX, and released the masterpiece (Natural Born Swillers). The Dayglo Abortions are now and will forever be the most important punk band in Canada, also being one of the first bands in North American history to be slapped with obscenity charges. Murray considers his writing to be light hearted and satirical while the rest of us get to enjoy some of the finest punk rock ever written. The Brothels – ska/street punk from San Antonio, TX https://thebrothels.bandcamp.com/ Cordial Spew – hardcore / punk rock from Omaha, NE established in the early 1980’s Hand Painted Police Car – punk rock from Omaha https://handpaintedpolicecar.bandcamp.com/
The Party After CD Release Show
Fallen Reign
Jack Van Cleaf
Jack Van Cleaf was still an independent artist when “Rattlesnake” became a viral hit in 2023, earning praise from songwriters like Noah Kahan (who hand-picked Jack as the opening act on his sold-out Stick Season Tour) and Zach Bryan (who began covering the song online). For Jack, it felt like a pivotal moment in a career that had been building since his teenage years. “This album is all about the vertigo of growing up,” says Jack, who makes his Dualtone Records debut with the sophomore release JVC. “It’s about re-defining and re-understanding yourself.” JVC does more than plant its flag halfway between the worlds of indie rock and Gen Z folk. It also asks big questions about home and identity. Years after penning his first song as a high school freshman in San Diego, he headed east to Nashville, where he studied songwriting at Belmont University and released his debut album, Fruit from the Trees, after graduation. “I met many of my closest friends during my very first week at Belmont,” says Jack about his formative years in Music City. “All talented artists in their own right, they went on to help me make my first record everything that it is, and have remained my most trusted collaborators to this day.” “Rattlesnake,” with its introspective lyrics and atmospheric acoustics, earned him a spot on Spotify’s 2024 Best New Artist list with tastemaker playlist “juniper,” but nothing – not even the praise of his heroes – could calm the existential freakout he experienced as a 20something thrust into adulthood. JVC was born during that period of anxiety, self-examination, and newfound freedom. It’s a sharply-written record that measures the long, winding road from past to present. Sometimes that road is literal, with songs like “Shouldn’t Have Gone to L.A.” finding Jack in transit, caught between locations without a clear anchor, his heart in search of a place to land. Elsewhere, the album traffics in metaphor, whether Jack is singing about the road to ruin in “Thinkin’ About It” (a candid look at suicidal ideation, laced with resonator and acoustic guitars) or tracing the similarities between romantic obsession and substance abuse with the countryfied “Using You.” To record JVC, Jack and producer Alberto Sewald (Katy Kirby, Sierra Hull) headed to far-flung locations like Joshua Tree and the Texas/Mexico border. Those choices were deliberate, their landscapes reflecting the barrenness evoked by many of the album’s lyrics. “I felt like I was staring into an emotional desert when I wrote these songs, experiencing this feeling of desolation around me and looking for little signs of life,” he explains. Joined by friends and musicians Austin Burns, Ethan Fortenberry, Hunt Pennington, Adam Carpenter, Nathan Cimino, and Aaron Krak, Jack recorded his songs in a series of live takes, showcasing the artistry he’d developed as a road warrior opening for headliners like Noah Kahan, Shakey Graves, and Madi Diaz. He teamed up with Gatlin for “Teenage Vampire” — a seize-the-day anthem about vices and indulgent behavior — and flew to Manhattan to record an updated version of “Rattlesnake” alongside Grammy-winning chart topper Zach Bryan. With JVC, Jack Van Cleaf turns personal experience into something universal: a soundtrack to the years we all spend in existential free-fall, trying to find a new sense of gravity after the rules and regulations of youth have faded into the past.
