Neva Dinova
Neva Dinova’s reinvigorating full-length Canary features a new lineup, fresh perspective and a sound more urgent than anything they’ve created in the past. Recast after 15 years of inactivity and newly energized by a tour offer from longtime Omaha friends Cursive, songwriter/guitarist/singer Jake Bellows started sending demos to drummer Roger L. Lewis and just-recruited bassist Megan Siebe. They began woodshedding new songs, and the latest incarnation of Neva Dinova was born. After an East Coast run, the band returned to Omaha to record Canary at Make Believe Studios. “I’m trying to cover a lot more space in the band now because there’s only one guitar, so I write a little differently in order to cover that space.” (An understatement considering the previous lineups of the band featured three guitarists.) The result is an album that is more focused while still allowing for the occasional Neil Young-inspired guitar solo or unexpected sonic flourish. The songs on Canary were honed on the road allowing for a largely live recording session that captures the visceral energy of the band. There’s a beauty in the imperfections: The subtle buzzing of the amp, the finger noise on the strings and Bellows’s voice rising above all of it in a way that’s distinctly Neva Dinova. Canary is a raw and unfiltered glimpse of Bellows’s psyche and an electrifying batch of songs — unpretentious, empathetic, weathered, and wizened. It also marks a second act for one of indie rock’s most underrated acts.
The First 48 Blunts
with Bobo Thuh Breadboy, Forest, The High Hats, Race Coakley, Thuggy Yuxk and Dj Surreal the MC with Host Strawstone
Stigmata Martyr – A Tribute to Bauhaus
Friko
Friko, a trio that’s cemented itself as a stalwart in the Chicago music scene, is frontman Niko Kapetan, and drummer Bailey Minzenberger. Their most recent release, “Crimson To Chrome,” is an anthemic offering, Kapetan’s vocals incendiary. It received glowing praise and attention from Pitchfork, Brooklyn Vegan, and Consequence, who wrote “Friko toggle between loud and quiet, thoughtful and self-deprecating, while never expressing anything less than the unbridled joy of noise.” FLOOD wrote the Chicago-based power-pop group is “certain to stand out among the hundreds of acts gracing the various SXSW stages this year.” And that they did. The band took SXSW 2023 by storm, playing packed showcases over several days that made their Austin-debut a must-see occasion. Bolstered by the unwavering support from Chicago’s music scene, the buzz around new music, and the pure excitement witnessed at SXSW, the interest from labels is voracious and ever-increasing. Friko’s music is complex and dynamic, flickering between explosive rock, chamber pop, and serene sonics. It becomes even more pronounced in their live performances, where a crowd frenzied by wailing guitars finds itself minutes later collectively holding its breath, enamored by hypnotic strings and Kapetan’s emotive vocals. As the band plays out sweeping melodies, held up by thrashing guitar and punchy beats, it feels as if Kapetan sings to you. Crooning about stories you know, memories you had but have somehow forgotten.
MIKE
MIKE is a quintessential old soul. The 24-year-old artist’s wisdom is evident in both his calm delivery and measured questioning, even if he doesn’t always understand the depth of his words until they’re written. “All of these random ideas come to my head, but always end up making sense after it’s done,” the NY-based rapper-producer says about his method. Known for introspective, subtly profound rhymes that explore grief, family, and identity, and melt over muffled, soul-seasoned samples, on his expansive new record Burning Desire MIKE reaches new heights far above the sonic foundation he laid with his previous project.
Bad Bad Hats
Daniel Nunnelee
Return to Dust
Every ending sparks a new beginning. Return To Dust embodies the sound of shedding the weight of the past while embracing the promise of tomorrow. The Los Angeles-based quartet—Matty Bielawski [guitar, vocals], Graham Stanush [bass, vocals], Sebastian Gonzalez [guitar], and London Hudson [drums]— brings a fresh perspective to alternative rock. Their music fuses powerful harmonies, fuzz-laden riffs, and seismic grooves, fueled by the raw energy of four Gen Z friends jamming in a garage. What may seem like a traditional approach on paper feels like an act of rebellion today, heralding the rise of the next generation of rock music. “Our name rings true to the sound, lyrics, and heavy imagery,” Matty observes. “You started out as dust and, one day, you will become dust again. So, you’re attempting to find meaning in the chaos of life and death, which is what we try to do through music.”
Benjamin Booker
The last place you’ll find Benjamin Booker is where he was yesterday. The artist grew up in a woodsy trailer park on the outskirts of Tampa overlooking a sewage plant, surrounded by rebel flags and religious fanaticism. “The neighbors burned a cross in my yard when I was 6. We didn’t really socialize with a lot of people around us after that. I spent all of my time in my head.” Eventually, he found his way to the local DIY punk scene, a welcomed escape, and never looked back. After, releasing his Waiting Ones EP, he was picked up by blogs and signed to a label shortly after news spread. His 2014 self-titled debut album dabbled in fuzzy americana-inspired garage rock. The raw, stripped back, analogue recordings hinted at the past, but underneath the surface were contemporary songs about gay marriage, growing up in a post-9/11 world and erotic asphyxiation. Then, after nearly losing his life in a shooting in New Orleans, he retreated to Mexico City and wrote his second album Witness (2017)—a darker album that ran lush string arrangements, 60s balladry, boom bap, and 70s glam rock through Shawn Everett’s futuristic mixing filter. Both albums were met with critical acclaim and led to world tours, a spot on just about every festival you can think of and opening slots for Tame Impala, Jack White and Neil Young. But then, he disappeared. “I wanted to get to this sound, but I didn’t know how. At some point I decided I’m going to find it or die trying.” He spent years tinkering in a loft near Skid Row in Los Angeles before ending up across the globe in Perth, Australia. Trading stems via email, Booker crafted his third album with LA underground hip-hop mastermind Kenny Segal. The new album, LOWER, mixes experimental hip hop, dream and noise pop, and singer-songwriter music into something that is entirely his own. Through the changes, Booker’s lyrical exploration of pain and longing have been persistent. “Kenny was the missing piece I needed–he fills in all of my gaps. I don’t know what I’ll do next, but if I can imagine it, I can do it now.”
Lady Lamb
celebrates 10 years of Ripely Pine with an intimate performance of songs from the record and the recently-released commemorative boxset ‘In The Mammoth Nothing of The Night’ From her early days, staying late after-hours at her video rental store job in Maine to record songs, to co-producing and arranging her four studio records, Aly Spaltro has remained focused on music that connects, empowers and builds community. She built her fanship the old-fashioned way, getting in front of audiences and projecting her poetic confessionals, silencing rowdy crowds with an a cappella opening song in the center of a dark stage. Spaltro was quick to develop a reputation as a breakout star in New England, and then expanded slowly outwards, moving to New York at twenty to continue work on the songs that would become Ripely Pine. Her voice has never wavered, has grown more honest and open with time, and anyone witnessing the long lines of fans seeking signatures after her performances can see how her work has impacted fans. Her live shows are revelations, a further deep dive into what makes Ripely Pine such a mainstay.
