Pons
Pons is a constantly changing/growing experimental project started by Sam Cameron and Jack Parker in North Carolina directly after we graduated high school in 2018. After releasing a couple of demos, playing some shows as a two piece, and relocating to Burlington, Vermont, we added our percussion player Sebastien Carnot to the live lineup in 2019. Our recorded music and live set are extremely different from each other in terms of arrangement and presentation of the songs, but most people describe our music as being no wave/noise rock adjacent. There are also a lot of influences from glam rock, tribal/percussion music, and psychedelic music as well. Pons is all about fighting expectations and striving for constant evolution. Trying to be on the road as much as possible is also definitely part of our M.O.
Heartstrings
PRHYME – SOLD OUT
Cut from the same cloth as the Omaha music scene that birthed them in 1997, PRHYME are a raw, alt-rock band forged in friendship. After a decade-long hiatus, the original trio of Mike Otepka, Dan Peters, and Zak Olsen reignited the fire in 2023, adding Joe Pietro and Scott Irvine to the fold. Now, with a sound honed by years of experience and a renewed sense of purpose, PRHYME are back to deliver a sonic assault that’s as explosive as it is infectious.
Florist
On Jellywish Florist invite listeners to question everything — to imagine a world where magic, surrealism, and the supernatural are our companions in day-to-day life. It dares to present a realm of possibility and imagination in a time that feels evermore prescriptive, limiting, and awful. The album finds Florist exploring life’s big questions without offering silver linings, morals, or definitive answers. Instead, the band asks perhaps the most difficult of questions: Is it possible to break free from our ingrained thought cycles and pedestrian way of life? That, Florist posits, may be the only way to be truly happy, fulfilled, and free. Singer, guitarist, and principal songwriter Emily Sprague says that the record is purposely complicated. “It’s a gentle delivery of something that is really chaotic, confusing, and multifaceted,” she explains. “It has this technicolor that’s inspired by our world and also fantasy elements that we can use to escape our world.” “We enter an observational fever dream about floating through liminal space between lifetimes, individual perceptions. There is reflection on our connectedness in joy and suffering through the wish for a peaceful place for our spirits to live and land,” Sprague explains. “‘Have Heaven’ establishes the world of the album to be not quite always lucid, but rather a perspective that is blended into the worlds of the magic and death realms swirling around us. The chorus is a chant that pleads for a better symbiosis between these worlds, and between our earthly forms trying to survive alongside each other, bound to the systems we must exist within.” Jellywish is an exercise in multidimensional world building. The album’s panoramic cover art, which looks like something out of a Henry Darger volume, wraps the music in a collage of color that presents as science fiction-adjacent, hinting at something mysterious, fantastical, and mythological. Inside the album’s jacket, however, are tender and catchy sonic meditations on life’s most knotty subjects: life, death, earth, reality, relationships, joy, and pain. Taken together, Florist offers an acute sense of the band at this moment, one that worries about the world and its place in it. In contrast, it also presents an alternative to the doldrums of day-to-day life, and the necessary suggestion that very different things may be true at the same time. With Jellywish, Florist offers a complex album in a time that is anything but simple. In mining the chaos and wonder of physical and spiritual worlds, the band holds a mirror to itself to the great benefit of all. It tells us that we are not alone, and challenges us to believe in magic.
Worry Club
Worry Club is the moniker of Chicago-based indie musician Chase Walsh. Walsh integrates dreamy synth-pop guitar and muted percussion into gritty and unflinching lyricism. He looks depression and heartbreak dead in the face with his poetry, packaging these difficult subjects into truly gorgeous songs.
The Criticals
The Criticals are a Nashville based rock band formed by Parker Forbes and Cole Shugart. The Criticals have proven themselves a powerful and fierce duo — one with both a diverse musical appetite in songwriting and a whiplash live show that’s drawn sellout crowds in major US markets including New York, Los Angeles, and Chicago. The band recently released their highly regarded EP Front Door Confrontations and continued a steady diet of raucous live shows across the country. The band are now set to release a handful of singles leading up to their debut album release on Fantasy Records in 2025.
Kevin McClure
Jed Harrelson
Nashville based soul artist Jed Harrelson has found a way to fuse sounds of Soul, Rock and R&B. Music connects and he carries that into the center of his work, leaving both a euphoric and familiar presence. While he’s independently released 12 songs in the last three years, he is working on a debut project right now. All of his music is recorded in house with his brother Hank as the audio engineer. Being from Texarkana, Arkansas instilled a drive to hone in on his craft though the lack of music scene caused him to move where he could really express his artistic message which took him to Fayetteville, Arkansas. This is where he cut his teeth in the Northwest Arkansas music scene. Now living in Nashville since January 2020, Jed is independently touring the country with his band in a gold van called ‘The Loaf”. By achieving and producing what feels good in his art, Jed just might help listeners do the same.
STEPHEN STANLEY
Singer / songwriter Stephen Stanley makes music with immediate emotional impact, revealing a depth of talent that comes from years of devotion to his craft. At the age of nine, the Mansfield, Georgia-based artist learned to play his mother’s guitar after suffering an accident that rendered him deaf in his left ear, and quickly uncovered an innate musicality and remarkable gift for melody. By age 13, he’d added piano and drums to his repertoire, in addition to writing songs and leading worship at the church where his father served as a pastor. Over the last decade, Stanley has honed a distinct and dynamic voice as a musician, bringing both raw emotion and a profound sense of purpose to everything he creates.
C10: Clayjack Horseburn 2 Release Party
