Mike Baggetta & Eli Winter
Each show features solo sets from each artist, with special guests, throughout The South & Midwest this November. Join us for an intimate night of new songs and new sounds. _____ About Mike Baggetta: “Mike Baggetta is a player of immense subtlety across all dimensions, working with an impressive palette of tones … distilling Robert Fripp’s loopscapes with hints of John Fahey.” -The Wire, UK “…A terrific player, capable of weirdly elegant fretwork, shivery Tom Verlaine-esque tones, freeform freakouts and crunchy fuzz, shifting from one zone to another with a naturalness and ease.” -Aquarium Drunkard About Eli Winter: “Here, the Chicago-based wunderkind—an accomplished writer with storytelling bonafides beyond the guitar—merges the mythos of his native Texas with jazzy, explosive bombast, like a cowboy on DMT.” — Pitchfork “Eli Winter’s second turn as bandleader unfolds like a sky bleeding exhaust fumes, alternating pedal steel waltzes and jazz-burnt fuzz bombs. The record starts with an ecstatic riff on a Don Cherry and Ed Blackwell tune and doesn’t really let off the gas.” — NPR
Patrick Wolf – Tour of The Beast
Patrick Wolf released his first E.P. at the age of 19, a groundbreaking debut of classical, folk, and electronic music that set the pace for a stellar decade, releasing seven self-produced and solely written albums and performing multiple laps around the globe on tour, amassing an ever-growing and dedicated, spellbound audience. A viola, piano, dulcimer, harp, lyre, and tenor guitar player, Patrick’s decade of critically acclaimed work, touring, joining Patti Smith’s band, collaborations with Florence Welch, Marianne Faithful, Angelo Badalamenti, and rapid, stellar ascent led to a sudden retreat from the industry where a decade of personal trial ended with a renaissance and reconnection with his work and vocation, documented in a feature film biopic documentary slated for release at the end of this year, executive produced by Tilda Swinton. Last year, he released his seventh album “Crying the Neck”, an end-of-summer folkloric odyssey set in the landscape at the end of the East of England where Wolf lives and works. The album’s success brought him back to his North American audiences; for his first tour in over 13 years, he embarked on a ten-week tour driving himself from east to west coast, where he discovered not only his fanbase had been waiting all that time, but a brand new one had grown in his absence in the States. The success of last year’s tour brings Patrick back to North America this year with “The Tour of the Beast”, this time an extensive East to West coast and back again routing with a coinciding 7” single and release campaign, launching two new songs to the States and ringing in the next era of Patrick Wolf. The first, a bombastic harpsichord banger and outsider anthem “The Beast”, partly inspired by conversations had in the meet-and-greets of last year’s tour and a hymn of solace, initially written as a response to Camus’s “The Myth of Sisyphus”, a lyre and vocal lullaby called “The Laughing Dove”.
Left on Red
Orbital Strike
THIS PERFORMANCE IS AGES 18+
Ouija Macc
Emma Ruth Rundle
Psycroptic
Psycroptic – When the history of technical metal is viewed in years to come, the books will come to show that PSYCROPTIC are responsible for a hefty slice of the genre. The band blasted into the deepest underground in the late 90s, then proceeded to drag the metal scene closer to what they do by sheer attrition. Their music guides you through the densest of riff jungles before bursting into the clear with powerfully rhythmic grooves and blasts, anchored by the profoundly talented Haley brothers.Tasmania couldn’t contain them and as it turned out, neither could Australia. Their first overseas tour was Europe in 2004. It also introduced them to touring the US with their first happening in 2010. This pushed their lust for the road to new levels, smashing audiences and stupefying musicians around the planet. They’re unique among death metal bands in that it’s almost pointless to try and list the festivals and countries they’ve visited, let alone the bands they’ve played with.And there is no slowing down. As of late 2024, PSYCROPTIC are recording a new album and are booked in for a massive US tour in January 2025 with NILE and SIX FEET UNDER. PSYCROPTIC are no longer the local Australian band made good: they are a global powerhouse with a footprint the size of the world, nothing left to prove, and an endless commitment to finding ways to rock you as hard as technically possible.https://psycroptic.bandcamp.com/musicInferi – Inferi is an American melodic death metal band forged from the bowels of Nashville, Tennessee. The band formed in 2006 and strived to merge the classic melodic metal sound with a taste of crushing technicality.https://inferi.bandcamp.com/musicCognitive – Technical Death Metal band from New Jerseyhttps://cognitivenewjersey.bandcamp.com/Summoning the Lich – Death Metal from St.Louis, MOhttps://summoningthelich.bandcamp.com/
Greg Freeman
Mr. Phylzzz
Formed in late 2015, mr.phylzzz (pronounced mr. flyzzz) has spent the last decade mutating, evolving, and cementing their reputation as one of the most blistering, uncompromising forces in modern noise rock. What began as a raw, multi-instrumental project has sharpened into a lean, mean, two-piece wall of sound consisting of Clinton Jacob (guitar/vocals) and Danny Sein (drums). Now anchored in the gritty musical landscape of Chicago, the duo crafts a chaotic, high-velocity sonic assault that balances punishing, heavy riffs with an undeniable knack for twisted, melodic hooks. The band’s rapid, jagged trajectory quickly caught the ear of Tom Hazelmyer, founder of the legendary underground imprint Amphetamine Reptile Records (AmRep). A badge of honor for any band pushing the boundaries of aggressive music, mr.phylzzz made their label debut on the prestigious Dope Guns ’N Fucking in the Streets Vol. 14 compilation. They followed that up with their first proper full-length album, Penitent Curtis, in 2019—a record that laid the groundwork for their signature blend of cranked amps, driving percussion, and volatile vocal delivery. When the pandemic brought the world to a standstill, the project underwent a metamorphosis. Operating in isolation, Jacob continued to write at a feverish pace. As restrictions lifted, a relocation to Chicago sparked a powerful new chemistry with the addition of drummer Danny Sein. The resulting synergy produced 2022’s Cancel Culture Club, a critically acclaimed record that showcased a tighter, more furious version of the band. The album drew well-deserved attention from noise rock royalty, featuring guest appearances from the Melvins’ King Buzzo and Kevin Rutmanis. Refusing to let off the gas, mr.phylzzz returned to the studio to track their next chapter, 2023’s Fat Chance. Captured in a rapid-fire, four-day session at Chicago’s iconic Electrical Audio, the album perfectly bottles the raw, frantic energy of their live performances. The songs are dense, blown-out, and hyper-focused, earning praise across the underground for keeping the historic flame of midwestern noise rock burning bright. While their records are masterclasses in controlled chaos, the stage is where mr.phylzzz truly becomes a monster. Renowned for their furious, tight, and unpredictable live sets, the band spent a grueling autumn tearing across North America as the main opening act for the monumental Melvins and Boris “Twins of Evil” tour. Playing to packed rooms and massive crowds night after night, the duo proved that two people can create an atmosphere just as heavy, loud, and mesmerizing as a five-piece band. Today, mr.phylzzz remains a relentless touring machine and a staple of the underground circuit, constantly writing, traveling, and pushing their gear to the absolute limit. They are modern torchbearers of heavy music—chaotic, cathartic, and entirely on their own terms.
Porch Light
Minneapolis five-piece Porch Light’s year ahead has a collection of big, unabashed rock tunes, full of riffs that announce themselves and choruses that reach and grab. All of them are songs meant to be played on stage, by five people without bells or whistles. It’s an approach that’s taken them far — the five-piece have reached over a million monthly Spotify listeners and sold-out headline shows across the country before their debut project hit the market. They are all over this year’s festival circuit playing Summerfest, Yacht Club, Hinterland, Lollapalooza and Shaky Knees. They also are setting out on the road this. Fall for the ‘Hush Tour’, spanning across 30+ dates including shows at the Troubadour, Bowery Ballroom and more.