In Tongues
Lash’s Propane Drive
A benefit show for the Pine Ridge Oglala Lakota Sioux Reservation. All funds raised will be used to purchase propane to be used for heating the homes of the families on Pine Ridge, one of the most poverty stricken communities in the country. A grassroots effort from Larry “Lash LaRue” Dunn, who for 20 years orchestrated the Toy Drive For Pine Ridge. In memory of Dick Warsocki, a close friend of Lash’s. Dick and Lash shared a love of the Lakota people and their spiritual ways as well as a damn good sad roots song about heartbreak and heartache.
Semler – The Mirages Tour
VIP Includes: -1 GA Ticket -Meet & Greet Before the Show -1 Free Piece of Dad Merch -Early Access to Merch -Intimate Acoustic Performance Semler (Grace Baldridge, all pronouns), a queer singer-songwriter and content creator, has just announced their latest offering, Stages of a Breakdown, out April 13, 2022. The 5-song EP chronicles the saga of emotion following the demise of a pivotal relationship. This is not the first time Semler has rustled feathers through their strikingly honest and heartfelt music. Their February 2021 EP Preacher’s Kid, recorded independently and reaching over a million streams in the first few months, broke barriers when it rocketed to the #1 spot on the iTunes Christian music charts—making Semler the first openly queer artist to hold that position. In October 2021, Semler repeated the feat again rising to #1 – with their EP Late Bloomer. It racked up more than 250k Spotify streams in its first week, with double that on Apple Music. Semler’s bookends of Preacher’s Kid and Late Bloomer found humor, hurt, and healing at the intersection of queerness and faith and ignited grassroots support for the artist who began booking shows around the US – both headlining and sharing stages with Katie Pruitt and Relient K. Semler takes a leap of faith in questioning aspects of Christian culture and Christian responses to the LGBTQIA+ community through satire, love, and earnest feelings of hurt. Semler’s steady growth and candid songs & content have both touched a nerve and united a community, not to mention earned the attention of hundreds of thousands of listeners eagerly awaiting their next project. Stages of a Breakdown continues this momentum through a hard-hitting, brutally honest narrative of an EP. Over a two-week period in December 2021, Semler’s oldest friendship devolved into a total collapse because of anti-queer religious sentiment. Through the accusations, late-night text messages, and heartbreak, Semler wrote Stages… each song capturing a piece of what Semler felt during those two weeks. The first track “You’re Not My Friend,” released as a single with accompanying music video on April 1, 2022, is cathartic, tongue-in-cheek storytelling and sets the stage for the narrative to unfold. Next, “Don’t Tell Anyone” is a sultry, indie-pop bop written from Semler’s ex-friend’s perspective. “Twenties” then provides Semler’s response to that judgment and loss of love. The final tracks, “Raise Up” and “Outro,” narrate a resolution to the pain and find Semler once again searching for divinity amidst chaos.
Carly Cosgrove
Remember Sports
Remember Sports have always sounded like a band in motion—chasing a feeling, chasing each other, sometimes running from themselves. Over the past decade, the Philadelphia-based band has built a cult following on the strength of bruising live shows, emotionally honest lyrics, and an ever-evolving sound that refuses to be pinned down. With their newest album, The Refrigerator, out February 13, 2026 via Get Better Records, the band captures the messy, cathartic energy of transformation: it’s a record born from uncertainty, grief, growth, and ultimately, love—for the music, for each other, and for the many past selves colliding into the present.
Fust & Merce Lemon
Beachmont
BEACHMONT is the electrifying new project from Berklee Alum Josh Polack (formerly of Mom Rock) and Tyler Savoie, joined on stage by Will Chiles, Josh Wurz, and Dan Sivachenko, blending the nostalgic flair of the 80s with high-energy live performances. Known for their award winning theatrical stage antics and self produced, sax/synth-driven sound, the Nebraska-born, […]
Damien Jurado Plays His Greatest Hits
GOOD TERMS
Good Terms released Burnout less than a year ago—a record that dismantled any preconceptions of who they are and what they sound like. The band dove headfirst into every unorthodox influence imaginable, putting every musical option back on the table. Burnout is anxious, hopeful, confused, angsty, joyous, loving, regretful, pissed, wistful, sincere, and cathartic. It juxtaposes moments that feel like the sonic recreation of the “dread meme” with others that feel like the triumphant ending of The Land Before Time. The album will have you clearing your sinuses from extreme levels of stank face, dusting off your old air guitar, wanting to do spin kicks in your living room, reconnecting with your younger self, and wishing you’d taken an extra bite of your crazy aunt’s special brownie. It’s mosh-ready, 420-friendly, and hell-yeah-brother approved. Then on a spring day this May, magic happened. Progress exploded onto the scene, landing heavy radio spins on SiriusXM, editorial playlisting across all major streaming platforms and quickly amassing 1M+ streams globally in just 4 months. “Progress” immediately grew to number 1 across all platforms and became the new staple and lost leader for Good Terms. “Progress” explores the emotional challenge of perseverance when on the brink of burnout. The song was inspired in part by vocalist Brian McShea and fiancée Stephanie Raynor, who lost their home earlier this year in the California wildfires. Their story captured national attention, and the outpouring of love and support reminded the couple—and their extended Good Terms family—of the importance of community. Good Terms are poised to take on their debut headline HIGHWAY TO HELL YEAH BROTHER North American tour throughout February and March 2026, a moment that is now built on now years of supporting tours for Hawthorne Heights, Emery, Youth Fountain, Driveways, Boys Of Fall and more.
Jordana
Jordana’s music has always possessed a unique sense of place. You can hear the stillness of a Kansas bedroom on her 2020 debut Classical Notions… Humid late night New York walks on her double EP Something To Say To You. There’s the kaleidoscopic otherworldliness of Summer’s Over, her collab release with TV Girl. The unmistakable sunshine of LA on 2024’s Lively Premonitions. But on her new semi self-titled project, Jordanaland, the 25-year-old songwriter has officially crafted a place all her own. “Jordanaland is definitely an escape from Americaland. It looks a lot like LA in the videos…for some reason. Weird,” muses Jordana. “But it’s wherever you want it to be, just close your eyes.” Recorded with her friends Charlie Kilgore & Julian Kaufman of offkilter pop group MICHELLE, the EP drops Jordana in her most brightly-colored surroundings yet. Mixed by a pair of Grammy Award winners in Olli Jacobs (Kendrick Lamar, Taylor Swift, beabadoobee) & David Pizzimenti (Ella Mai, Ed Sheeren, Travis Scott), these songs soar with a sonic confidence that has previously only made occasional appearances in her discography. “Pop music was definitely the goal,” says Jordana. “Self assured, confident pop. I think the evolution came from becoming more comfortable with my voice, a more established sound, and also looking up to artists who let it all out in that way. I was pretty intimidated at first, because I love MICHELLE. They’re powerhouses. So I tried leaning into their energy, and I’m in love with what we made.” Of course, if her catalog is any indication, this might simply be a pitstop in a world of pop, but it’s a fully realized one. And in Jordanaland, she’s running for president. And she’s ruling with a very adorable iron fist. ndeed, the blissfully absurd title-track is where she shines brightest, turning a campaign slogan into a huge refrain: “Jordana, you can-a.” Meanwhile, the EP artwork is a take on a revolutionary war photograph, depicting the founding of her namesake homeland, complete with its own flag. But don’t let the whimsy fool you. Here she touches on some of her most honest subject matter yet. “Still Do” is a study in the begrudging love we maintain for the people who let us down. “Like That” is a reminder of the promises we make to others about caring for ourselves. “Hard Habit To Break” is about struggling with alcoholism. It’s not all sunshine and rainbows in Jordanaland. “Some of the songs were appropriate at the time given certain life events, others were me revisiting feelings,” says Jordana. Jordana has come a long way from that still Kansas bedroom in 2020, reinventing herself and her surroundings multiple times over. “It does feel liberating,” says Jordana, of her reputation as a genre chameleon. “There’s no expectation for me, or at least no expectation I’m paying attention to. I get to try new things all the time. It’s kind of like going to a theme park and seeing a bunch of your favorite rides and running over to each of them in excitement — each ride offers so many different feelings and experiences, that it’s so hard to choose only one to ride for the rest of the day.” If you want to find her today, she’s riding a dazzling rollercoaster named Jordanaland. Tomorrow? We’ll have to wait and see where the journey leads.
