Ashes to Amber
Emerging from Orange, CA, Ashes to Amber is a Post Wave/Indie Pop project that formed in 2018. Driven deeply by guitar melodies from the inspirations of Jimi Hendrix, Jeff Beck, and Eric Johnson, Kane Acosta fused a new tonality to the indie pop genre. He has released 3 full-length albums: Jade (2019), Do not Pick the Flowers (2021), and My Little Maniac (2023) as well as three EP’s and a myriad of singles
Mitch Gettman Band
Violenteer
VIAL
Minneapolis’ VIAL magically met each other through a Tinder post in 2019, brought together by a shared love of 90’s punk, indie, and grunge. Launching into their home scene with their debut Grow Up they quickly became local favorites with everyone from The Current to Music In Minnesota. Signing to LA’s Get Better Records in 2021, their follow up full length, Loudmouth, was an evolution of their indie-pop and alt-rock beginnings but began to hint at other leanings, especially in the tracks Ego Death and the fan-favorite Piss Punk. A little less reflection on the past and a little more anger at the future. Even though their third release, Burnout, retained the whimsy, the fiercer side of things kept creeping in. Tales of betrayal and teen drama were also being matched by a hardness reflective of our fractured society. With their 4th record, HELLHOUND, the gloves have come completely off. There’s a wee trace of the jovial in the LP’s title track/interlude but the rest of the record is one shredder after another – deceit, revenge, frustration and vitriol are nailed incessantly into the tracks from start to finish. Produced by Martin Cooke (Death Cab For Cutie, Of Monsters And Men, Destroy Boys), the LP is a powerhouse that draws from vintage punk, classic metal and all in between. Anyone who’s crossed them is a target and asking to get cut. First single CREEP SMOOTHIE pulls no punches in calling out disrespect from the worst kinds of men and would-be’s alike. IDLE HANDS channels the rage inward. Overall the record is a culmination of influences and experience and an explosive chapter in VIAL’s life. Behind everything they do is an underlying dedication to causes ranging from gender equality and abortion rights to supporting indigenous arts and refugee aid. The band constantly helps on a material level, funneling income directly to these groups. Many artists pay lip service to making the world a better place. VIAL put their money where their mouths are and their steel toes where the sun don’t shine.
Psyclon Nine
In Tongues
Lash’s Propane Drive
A benefit show for the Pine Ridge Oglala Lakota Sioux Reservation. All funds raised will be used to purchase propane to be used for heating the homes of the families on Pine Ridge, one of the most poverty stricken communities in the country. A grassroots effort from Larry “Lash LaRue” Dunn, who for 20 years orchestrated the Toy Drive For Pine Ridge. In memory of Dick Warsocki, a close friend of Lash’s. Dick and Lash shared a love of the Lakota people and their spiritual ways as well as a damn good sad roots song about heartbreak and heartache.
Semler – The Mirages Tour
VIP Includes: -1 GA Ticket -Meet & Greet Before the Show -1 Free Piece of Dad Merch -Early Access to Merch -Intimate Acoustic Performance Semler (Grace Baldridge, all pronouns), a queer singer-songwriter and content creator, has just announced their latest offering, Stages of a Breakdown, out April 13, 2022. The 5-song EP chronicles the saga of emotion following the demise of a pivotal relationship. This is not the first time Semler has rustled feathers through their strikingly honest and heartfelt music. Their February 2021 EP Preacher’s Kid, recorded independently and reaching over a million streams in the first few months, broke barriers when it rocketed to the #1 spot on the iTunes Christian music charts—making Semler the first openly queer artist to hold that position. In October 2021, Semler repeated the feat again rising to #1 – with their EP Late Bloomer. It racked up more than 250k Spotify streams in its first week, with double that on Apple Music. Semler’s bookends of Preacher’s Kid and Late Bloomer found humor, hurt, and healing at the intersection of queerness and faith and ignited grassroots support for the artist who began booking shows around the US – both headlining and sharing stages with Katie Pruitt and Relient K. Semler takes a leap of faith in questioning aspects of Christian culture and Christian responses to the LGBTQIA+ community through satire, love, and earnest feelings of hurt. Semler’s steady growth and candid songs & content have both touched a nerve and united a community, not to mention earned the attention of hundreds of thousands of listeners eagerly awaiting their next project. Stages of a Breakdown continues this momentum through a hard-hitting, brutally honest narrative of an EP. Over a two-week period in December 2021, Semler’s oldest friendship devolved into a total collapse because of anti-queer religious sentiment. Through the accusations, late-night text messages, and heartbreak, Semler wrote Stages… each song capturing a piece of what Semler felt during those two weeks. The first track “You’re Not My Friend,” released as a single with accompanying music video on April 1, 2022, is cathartic, tongue-in-cheek storytelling and sets the stage for the narrative to unfold. Next, “Don’t Tell Anyone” is a sultry, indie-pop bop written from Semler’s ex-friend’s perspective. “Twenties” then provides Semler’s response to that judgment and loss of love. The final tracks, “Raise Up” and “Outro,” narrate a resolution to the pain and find Semler once again searching for divinity amidst chaos.
Carly Cosgrove
Remember Sports
Remember Sports have always sounded like a band in motion—chasing a feeling, chasing each other, sometimes running from themselves. Over the past decade, the Philadelphia-based band has built a cult following on the strength of bruising live shows, emotionally honest lyrics, and an ever-evolving sound that refuses to be pinned down. With their newest album, The Refrigerator, out February 13, 2026 via Get Better Records, the band captures the messy, cathartic energy of transformation: it’s a record born from uncertainty, grief, growth, and ultimately, love—for the music, for each other, and for the many past selves colliding into the present.
